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FRED WILLIAMSON as B.J. HAMMER BERNIE HAMILTON as DAVIS VONETTA McGEE as LOIS WILLIAM SMITH as BRENNER CHARLES LAMPKIN as BIG SID With ELIZABETH HARDING as RHODA MEL STEWART as PROFESSOR D'URVILLE MARTIN as SONNY STACK PIERCE as ROUGHHOUSE JAMAL MOORE as HENRY JONES NAWANA DAVIS as MARY JOHN QUADE as RILEY JOHNNY SILVER as TINY JUAN De CARLOS as BRUISER GEORGE CERVERA, JR. as MEDINA LEON ISSAC as BOBBY WILLIAMS PERRIE LOTT as NAGI PHILLIP JACKSON as LANDLORD AL RICHARDSON as MILITANT TRACY KING as DANCER GEORGE WILBER as BRADY GENE Le BELL as REFEREE JIMMY LENNON as ANNOUNCER |
Fred Williamson "The Hammer" |
William Smith "Brenner" |
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DAVIS The Good Cop |
BIG SID The Corrupt Manager |
LOIS The Girlfriend |
PROFESSOR The Trainer |
RHODA The Blonde Slut |
SYNOPSIS
Dock worker and former Golden Gloves champ B. J. Hammer is fired after a fight with one of Big Sid's men so he can be recruited as a boxer for Big Sid's stable. He's warned by Officer Davis that he's being used by Big Sid whose former boxers don't live long. When Hammer's trainer refuses to get Hammer to take a dive, he's beaten almost to death by Brenner. Brenner kidnaps Hammer's girlfriend Lois as insurance that Hammer will blow the fight. As the big fight proceeds with Hammer to take a dive at the end, Davis rescues Lois. Hammer wins the fight. Brenner retaliates by killing Big Sid and trying to kill Hammer. Hammer puts Brenner's head through a car window, where Brenner collapses, his face covered in blood.
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OUR HERO
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Hammer protects the underdogs. |
Hammer loves kids. |
Hammer has a nice black girlfriend. |
Hammer rejects the blonde bimbo |
OUR VILLAIN
This was William Smith's first blaxploitation film and, as in
every one thereafter, he plays an utterly despicable character with no
redeeming qualities whatsoever. Although most of the characters in
this movie are black, all the vicious characters are white. Big Sid
is a drug dealer, a crooked fight manager and a generally unsavory character.
However, it's Brenner and his cronies who initiate and carries out all
the physical violence.
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and a '90's Yuppie review of this '70's Black Power film |
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